Hyperdramaturgy

In Alessandro Anglani's framework, Hyperdramaturgy is a nonlinear performative dramaturgy organized as a system of possibilities.

A traditional dramaturgy usually organizes what happens: scenes, actions, conflicts, and endings arranged into a sequence. Hyperdramaturgy organizes what can happen. It treats the performative text as a live system made of roles, scenes, states, choices, rules, and possible consequences.

In this framework, audiences and performers do not simply move through a fixed story. They act inside a narrative architecture that can change according to decisions, conditions, and relationships. The author designs not only a sequence of events, but the field of possible events.

Interactive theatre describes the audience relationship. Hyperdramaturgy describes the structure that makes that relationship dramaturgically playable.

For this reason, interactive theatre is useful for discovery, but it is not the primary category here. Hyperdramaturgy names the system of possibilities; Anglani's Method names the authoring process; SEPHIROT® names the rule-based system that makes it playable; playable performance names the public-facing form.